Presentation

Following through on the activities that took place within the framework of two colloquia and publications, Interfaces et Sensoralité (Presses de l’Université du Québec, 2003) and Arts et Biotechnologies (Presses de l’Université du Québec, 2004), and based on the work with the persons of disabilities conducted, over several years, by the group at Cyprès in Marseille, we believe it is opportune to provide a site for insightful reflections on questions relating to (dis)abilities. At the intersection of several contemporary art projects, bioscientific research activities and technological innovations, the notion of deficiency seems to be one of the most fertile and troubling forces. It has certainly had a pronounced affect on the experimental art scene, generating an array of creativity and producing spectacular and symbolically-rich artworks.

At the present time, it is important to evaluate the technological and biotechnological supports that affect conditions of viability, of autonomy and (dis)abilities of human beings and to observe any evolutionary signs signaling an increase in human cognitive, mental, imaginary and symbolic capabilities.